Goodness, it's been a long time! Guess I've been having such a great time substitute teaching these past few months I've forgotten about blogging. Now it's time to switch gears and get back into Market Mode--because this Saturday, May 6, is opening day for the Des Moines Farmers' Market. I confess it is probably my favorite day of the year; I look forward to it like kids look forward to Christmas. Yes, it really is that much fun. I will be there 18 out of the 26 Saturdays between May and October and am looking forward to another great season. Our Market is the best!
Here are just a few of the journals I'll be bringing with me--I have been working hard for the last few months to create a big inventory with a varied selection. This year, I'll have some journals with lined paper available at Market. You'll also find some other new items in my booth besides the journals, some collages and art prints.
Always a favorite are Little Golden Book story journals: they have 40 blank pages, pockets at the front and back, as well as all of the story pages spaced in with the blank pages. These are great to use as a journal, sketchbook, small scrapbook, or as a unique guest book too. Here's an example of just one of the Golden Book journals I'll have available. This is actually the first "Beauty and the Beast" Little Golden Book I've had:
This "Freedom" journal also contains all of the original book pages (which are full of simplified descriptions of our political system which seem naive today) as well as blank pages and pockets:
Vintage school books are among my favorites to make into journals. Both of these are 1950's covers:
Journals make great gifts for teachers, graduates, and moms....if you'd like to shop in person this Saturday, you can find my booth on 4th Street south of Court Avenue, near the new downtown Hy-Vee store.
Thursday, May 4, 2017
Sunday, February 5, 2017
What Would Mary Wear?
I'm very saddened by the recent death of entertainment icon Mary Tyler Moore. When I went to college, I enjoyed having cable TV for the first time (my parents were too cheap to ever pay for it, can you imagine that? Yes, I grew up having only 4 channels!) and I made the most of the opportunity to watch The Mary Tyler Moore show almost every night on Nick at Nite (when I should have been studying or sleeping). I had some vague memories of it from when I was a small child, but since it ended in 1977 I didn't really have the chance to appreciate it. But as an 18 year old, I loved it. I loved Mary's apartment, the fact that she was a strong, single gal, and I loved the seventies styles she wore with such aplomb. So as I was sorting through some of my vintage pattern stash, I selected several that I thought only Mary Richards could do true justice for. So I thought I would share a small, lighthearted tribute to the effervescent gal who really could, and did, turn the world on with her smile:
Simplicity #6842, copyright 1966: Mary would have rocked any of the versions of this sweet mod dress, perfect for one of her many disastrous dates.
McCall's #9332, copyright 1968: This falls in line with the simple lines from the early years of the series, similar to the pleated skirt Mary wears in the first episode during her interview with Mr. Grant, when he accuses her of having spunk--which, of course, she did!
Simplicity #9889, copyright 1972: Young contemporary fashion perfect for the career woman of the 1970s, similar to much of Mary's wardrobe in the newsroom.
Simplicity #8092, copyright 1969: Mary could wear this to work and then out on the town, with or without the jacket.
Simplicity #6621: Copyright 1974, this is similar to the pantsuits Mary wears during the later years of the series, after she's moved into her fancier apartment. Her style evolves from the first season to the last, just as Mary does. But she is always the same in essentials: spunky, strong, sweet, caring, and yes, still single. I'm so glad the writers didn't marry Mary off.
Thank you, Mary Tyler Moore--thanks for the laughs, the memories, for all the laughter and tears you provided to generations throughout your career. You will be greatly missed by your fans.
Simplicity #6842, copyright 1966: Mary would have rocked any of the versions of this sweet mod dress, perfect for one of her many disastrous dates.
McCall's #9332, copyright 1968: This falls in line with the simple lines from the early years of the series, similar to the pleated skirt Mary wears in the first episode during her interview with Mr. Grant, when he accuses her of having spunk--which, of course, she did!
Simplicity #9889, copyright 1972: Young contemporary fashion perfect for the career woman of the 1970s, similar to much of Mary's wardrobe in the newsroom.
Simplicity #8092, copyright 1969: Mary could wear this to work and then out on the town, with or without the jacket.
Simplicity #6621: Copyright 1974, this is similar to the pantsuits Mary wears during the later years of the series, after she's moved into her fancier apartment. Her style evolves from the first season to the last, just as Mary does. But she is always the same in essentials: spunky, strong, sweet, caring, and yes, still single. I'm so glad the writers didn't marry Mary off.
Thank you, Mary Tyler Moore--thanks for the laughs, the memories, for all the laughter and tears you provided to generations throughout your career. You will be greatly missed by your fans.
Saturday, January 28, 2017
Kitchy Kitchen Prints
I'm a sucker, or rather a collector, of novelty fabrics. It started with typewriter prints, then eyeglasses, then sewing prints, and my latest favorite is kitchen prints--perfect for making aprons, something else I love. Thought I'd share a few of my favorites with you. Apparently, Michael Miller Fabrics shares my obsession with nostalgic kitchen images, because all three of the prints you're about to see are from MM Fabrics. And they're all fabulous!
First up is this happy print, Fifties Kitchen, seen here sewn up in (what else?) my favorite flapper apron:
It was that happy little stove that drew me in; it reminds me of the stove in my Grandma Sayers' kitchen, the stove upon which she cooked all sorts of delicious meals. She was a wonderful cook and also a wonderful seamstress! I still have the Barbie clothes she made me when I was little. Of course I still have them--who gets rid of their Barbie stuff?! Anyway, this print is so cheerful and happy and that's how I feel when I look at it. Which is the whole point, right?
Coming in a close second, is Kitchenette--with a different, but equally wonderful vintage vibe:
Did I have a conversation with myself about "how many kitchen fabrics does one really need"? Well, yes, but it was a short conversation. As you can see, these prints are so different that they really can't be compared. So obviously I needed both of them. (This apron is available in my etsy shop in case you are interested.)
Last, but not least, is "Home Ec." Which is how I still refer to what is now called "Family and Consumer Science" at our local high school. It was, it is and it always will be home ec to me. Check this out:
I haven't quite decided what to make from this yet. I'm considering kitchen curtains or a table runner. In the meantime, I enjoy looking at it. It's good to let ideas stew for a while.
Thanks for looking, hope you've enjoyed. For your own shopping information, I have purchased my yardage of these prints from various etsy sellers that I can't quite remember--but a quick etsy search should get you what you want if you need some of these prints for your own collection.
Friday, January 27, 2017
Pretty Flowered Aprons
Sewing is one of my greatest joys during the bleak winter months. I HATE winter; truly, I detest cold. My body recoils from it and mostly what I want to do is sit in front of the fire under warm blankets and watch TV (which means I fall asleep in about fifteen minutes.) However, my sewing room is cozy and a wonderful retreat from the cold world outside. And because this January has been particularly harsh, disheartening, and sad....I need to spend as much time sewing as possible. Here are a couple of aprons I've made recently:
I used this 1944 pattern, Simplicity #1162, with a some slight changes:
As you can see, I substituted a much more utilitarian neck strap than what the pattern shows; as adorable as that bow is, I felt like it would get in my way and bother me--because aprons are made to be worn! A big floppy bow really isn't my style. Also, I'm horrible at making or even tying bows, so my fear was that I couldn't actually create a pretty one. The floral print fabric is certainly pretty enough on it's own anyway. Instead of an embroidery transfer as shown on the pattern, I added some decorative stitching at the top of the bib, waistband, and on each pocket. I also put on two pockets instead of just one. This pretty fabric is from Joann's; I've noticed that in the last year or so, Joann's selection of cottons has greatly improved. Their "premium" or "artist's" brands are entirely comparable to quilt shop fabrics. A closer view of the decorative stitching detail:
I love this little scallop stitch; most of my sewing is done on my Singer, but I also have a Brother LX2500, which is a very handy little machine that has a good variety of stitch patterns to choose from and this one is my favorite.
Initially, my plan was to make this apron from one of the vintage feedsack fabrics I found at an estate sale last fall, but there wasn't quite enough. Instead, I returned to my trusty flapper apron for the feedsack fabric:
I say this is feedsack fabric because that's what I think it is; I can't be entirely sure. The big blue pockets are leftovers I've had for a couple of years. Again, I like pockets on my aprons! This one will be available on my etsy shop very soon.
And one more feedsack flapper, another print from the same estate sale (nothing better than buying a whole bunch of fabric at once!):
This one is already available in my shop, in case you are in need of an apron. It's hard to tell in this photo, but this one has a large pocket in the middle--it's the same fabric as the rest of the apron so it blends right in.
Thanks for looking!
I used this 1944 pattern, Simplicity #1162, with a some slight changes:
As you can see, I substituted a much more utilitarian neck strap than what the pattern shows; as adorable as that bow is, I felt like it would get in my way and bother me--because aprons are made to be worn! A big floppy bow really isn't my style. Also, I'm horrible at making or even tying bows, so my fear was that I couldn't actually create a pretty one. The floral print fabric is certainly pretty enough on it's own anyway. Instead of an embroidery transfer as shown on the pattern, I added some decorative stitching at the top of the bib, waistband, and on each pocket. I also put on two pockets instead of just one. This pretty fabric is from Joann's; I've noticed that in the last year or so, Joann's selection of cottons has greatly improved. Their "premium" or "artist's" brands are entirely comparable to quilt shop fabrics. A closer view of the decorative stitching detail:
I love this little scallop stitch; most of my sewing is done on my Singer, but I also have a Brother LX2500, which is a very handy little machine that has a good variety of stitch patterns to choose from and this one is my favorite.
Initially, my plan was to make this apron from one of the vintage feedsack fabrics I found at an estate sale last fall, but there wasn't quite enough. Instead, I returned to my trusty flapper apron for the feedsack fabric:
I say this is feedsack fabric because that's what I think it is; I can't be entirely sure. The big blue pockets are leftovers I've had for a couple of years. Again, I like pockets on my aprons! This one will be available on my etsy shop very soon.
And one more feedsack flapper, another print from the same estate sale (nothing better than buying a whole bunch of fabric at once!):
This one is already available in my shop, in case you are in need of an apron. It's hard to tell in this photo, but this one has a large pocket in the middle--it's the same fabric as the rest of the apron so it blends right in.
Thanks for looking!
Saturday, December 31, 2016
Farewell 2016
Once again I remember I have a blog.
I haven't shared any quilts for a long time...because I haven't made too many recently! I made two quilts this year; rather, I finished one that I started in 2015 and I made just one quilt from start to finish in 2016. They both stayed in my sewing room closet for a few months. And then....I took them to be quilted on a real longarm quilting machine.
What a difference that longarm makes!
The first one is the one I started in 2015 and then finished this spring. It is my third (and final?) black and white quilt. Obviously I added in a bit of red on this one and love how it looks. This has long been one of my favorite color combinations.
I don't have the measurements for this one handy...it's what I like to call a "large throw" size. I sized it so it would be just the right size for me. I'm very average height, about five foot six, so it's approximately that long. Here's a closeup of the quilting:
So much better than plain old straight-line quilting!
Next up, the Wild Horses quilt. Named after one of my favorite songs. Yes, sometimes quilts need names. Some of you may recognize those Cotton + Steel prints, designed by the fabulous Melody Miller (see my post about my typewriter quilt from 2013).
Doesn't that look lovely? Serendipity gave me the ideal craft-show spot to display a quilt earlier this month at Lucky Star Market in Ames. We were in a new location this year (ISU Research Park) and I got a fabulous booth location! As luck would have it, I had some quilts to sell....here's a closeup of the quilting:
My photos may not do the quilting justice, but my fellow quilters will understand the huge difference between longarm quilting and quilting it on a regular sewing machine. I'm hooked. I'm hoping to make more quilts in the new year! And that's as close to a resolution as I am going to get.
Thanks for following along with my sporadic posts. For those of you I have met in person at markets & events, thank you for your support of my little handmade business. Online readers and etsy customers, many thanks to you as well. I look forward to more handmade projects and vintage finds in the new year. In light of many events that have occurred in 2016, I find it more important than ever to carve out a happy place for oneself amidst all the bad stuff in the "real world." May you find your happiness in 2017.
I haven't shared any quilts for a long time...because I haven't made too many recently! I made two quilts this year; rather, I finished one that I started in 2015 and I made just one quilt from start to finish in 2016. They both stayed in my sewing room closet for a few months. And then....I took them to be quilted on a real longarm quilting machine.
What a difference that longarm makes!
The first one is the one I started in 2015 and then finished this spring. It is my third (and final?) black and white quilt. Obviously I added in a bit of red on this one and love how it looks. This has long been one of my favorite color combinations.
I don't have the measurements for this one handy...it's what I like to call a "large throw" size. I sized it so it would be just the right size for me. I'm very average height, about five foot six, so it's approximately that long. Here's a closeup of the quilting:
So much better than plain old straight-line quilting!
Next up, the Wild Horses quilt. Named after one of my favorite songs. Yes, sometimes quilts need names. Some of you may recognize those Cotton + Steel prints, designed by the fabulous Melody Miller (see my post about my typewriter quilt from 2013).
My photos may not do the quilting justice, but my fellow quilters will understand the huge difference between longarm quilting and quilting it on a regular sewing machine. I'm hooked. I'm hoping to make more quilts in the new year! And that's as close to a resolution as I am going to get.
Thanks for following along with my sporadic posts. For those of you I have met in person at markets & events, thank you for your support of my little handmade business. Online readers and etsy customers, many thanks to you as well. I look forward to more handmade projects and vintage finds in the new year. In light of many events that have occurred in 2016, I find it more important than ever to carve out a happy place for oneself amidst all the bad stuff in the "real world." May you find your happiness in 2017.
Saturday, August 20, 2016
Estate sale treasure: patterns!
I've been so busy enjoying the last days of summer break, I've neglected the blog lately. This morning I went to an estate sale in nearby Pleasantville and scored some sweet vintage patterns! They were sold as a lot (39 in all), an I scooped them up after looking at just a few. Lots of goodies in the box so thought I would share:
Most were from the early 1970s and in excellent condition:
There was even a fun his & hers necktie pattern, copyright 1972:
I was more than happy with the 70s patterns, but lo and behold, there were two extra-special treats nestled in the box:
This "housedress" pattern is circa 1948. I've never seen it before so even more fun! Forties patterns are getting a bit more scarce, so this was a great find. Almost as good as...
This darling DuBarry pattern is copyright 1940. I was thrilled to find it because I haven't had any DuBarry patterns in my collection yet. The instructions are missing, but all the pattern pieces are present. This is a "housecoat" or "housedress" if you can believe that? Today, when people find it acceptable to go out in public in their pajamas, this is almost formalwear!
All of the above patterns are (or will be very soon) available in my etsy shop.
Most were from the early 1970s and in excellent condition:
There was even a fun his & hers necktie pattern, copyright 1972:
I was more than happy with the 70s patterns, but lo and behold, there were two extra-special treats nestled in the box:
This "housedress" pattern is circa 1948. I've never seen it before so even more fun! Forties patterns are getting a bit more scarce, so this was a great find. Almost as good as...
This darling DuBarry pattern is copyright 1940. I was thrilled to find it because I haven't had any DuBarry patterns in my collection yet. The instructions are missing, but all the pattern pieces are present. This is a "housecoat" or "housedress" if you can believe that? Today, when people find it acceptable to go out in public in their pajamas, this is almost formalwear!
All of the above patterns are (or will be very soon) available in my etsy shop.
Wednesday, July 27, 2016
Window Work
Last week a good friend who is also an amazing artist generously shared some of her window collection with me. They are some of the best salvaged windows I've come across and very inspiring so thought I'd share:
I love old-fashioned windows with panes like this one. The moment I saw this window I knew what I would do with it--and I love that quick flash of inspiration. The lovely pink floral background is a lotka paper that I've also been using in some journals and it is a dream to work with. I think it sets off this window perfectly. This window measures 24 inches wide by 23.75 inches long.
Next up is likely the largest window I've ever done, at 57" tall and 23.75' wide.
Love the black window frame--not something you come across too often! I think it's perfect with the book pages background. Very happy with how both of these turned out!
On a side note, I'm often asked what kind of glue I use on these window collages. I've used a few different kinds but a couple of years ago I discovered Martha Stewart Decoupage Glue at Michael's and it is my favorite. Easy to apply and dries nice and clear without brushstrokes. Gel medium and Mod Podge also work fine, but I love Martha's glue best!
Both of these will be available in my booth this Saturday morning at the Downtown Des Moines Farmers' Market. You can find me on 4th Street north of Court Avenue;if you're there, stop by and say hello!
I love old-fashioned windows with panes like this one. The moment I saw this window I knew what I would do with it--and I love that quick flash of inspiration. The lovely pink floral background is a lotka paper that I've also been using in some journals and it is a dream to work with. I think it sets off this window perfectly. This window measures 24 inches wide by 23.75 inches long.
Next up is likely the largest window I've ever done, at 57" tall and 23.75' wide.
Love the black window frame--not something you come across too often! I think it's perfect with the book pages background. Very happy with how both of these turned out!
On a side note, I'm often asked what kind of glue I use on these window collages. I've used a few different kinds but a couple of years ago I discovered Martha Stewart Decoupage Glue at Michael's and it is my favorite. Easy to apply and dries nice and clear without brushstrokes. Gel medium and Mod Podge also work fine, but I love Martha's glue best!
Both of these will be available in my booth this Saturday morning at the Downtown Des Moines Farmers' Market. You can find me on 4th Street north of Court Avenue;if you're there, stop by and say hello!
Friday, July 8, 2016
Forties Finds: More Vintage Pattern Loveliness
Hello! Blogging definitely takes a backseat in the summer, but a few sweet patterns from the 1940s that recently found their way into my hands inspired me to share. These are harder to come by and so therefore all the more precious. Here's one that would be perfect for summer:
This is Simplicity 2511, copyright 1948. The envelope has long since come apart, but the illustration is still beautiful. I love version 1, don't you? So sweet and flattering. Amazingly, this pattern is complete and the tissue is in great condition, despite the poor condition of the envelope.
Next, Simplicity 3088, copyright 1949. The "one-piece dress" would be nice for summer; I love sleeveless when it's hot. Notice the pin-tuck front on the bodice. I can't imagine sewing that, but it sure is pretty! I was surprised at the good condition of this pattern, despite it's age. A lucky find!
Last, Simplicity 3087, also copyright 1949; a classic, chic look--the bolero jacket and pencil skirt. Version 2 looks like something that Joan Crawford would have worn.
As you see, all three of these are Simplicity patterns--those seem to be the most abundant of old patterns available online. My only complaint about them is that Simplicity didn't always include a copyright date on their patterns until later on. However, that information is usually available on the vintage pattern wiki, and I'm getting pretty good at guessing the date within a year or two just by looking at the original price and the company logo.
These three are all available in my etsy shop if you're a fan of 40s fashions!
This is Simplicity 2511, copyright 1948. The envelope has long since come apart, but the illustration is still beautiful. I love version 1, don't you? So sweet and flattering. Amazingly, this pattern is complete and the tissue is in great condition, despite the poor condition of the envelope.
Next, Simplicity 3088, copyright 1949. The "one-piece dress" would be nice for summer; I love sleeveless when it's hot. Notice the pin-tuck front on the bodice. I can't imagine sewing that, but it sure is pretty! I was surprised at the good condition of this pattern, despite it's age. A lucky find!
Last, Simplicity 3087, also copyright 1949; a classic, chic look--the bolero jacket and pencil skirt. Version 2 looks like something that Joan Crawford would have worn.
As you see, all three of these are Simplicity patterns--those seem to be the most abundant of old patterns available online. My only complaint about them is that Simplicity didn't always include a copyright date on their patterns until later on. However, that information is usually available on the vintage pattern wiki, and I'm getting pretty good at guessing the date within a year or two just by looking at the original price and the company logo.
These three are all available in my etsy shop if you're a fan of 40s fashions!
Saturday, June 25, 2016
Everyday Aprons & Such: Grandma's Duster
A couple of weeks ago I was sorting through various boxes of stuff in preparation for our garage sale. I had several boxes in my storage corner of the basement that haven't been unpacked since we moved last year and I couldn't remember what was in the boxes--so really, rather like Christmas to open them and find things I'd forgotten about! Or been searching for and couldn't find....like this, for instance:
This snap-front smock apron belonged to my Grandma Price and I recall her wearing it in the 70s and 80s. She always referred to it as her "duster." Anyone else ever heard an apron called that? I never gave it much thought when I was a kid. Now that I think about it, it seems rather charming and very Grandma-like. I think that she had someone make it for her; my grandmother didn't sew, but she would have a lady she knew sew things for her: she'd pick out the material and pattern and take them to Goldie's house for her to make. I can vaguely remember going to Goldie's house with my grandma.
Coincidentally, this morning I decided it was time to actually use one of the many, many patterns I've accumulated and felt the urge to make another apron. I recently picked up some of the retro/repro Simplicity patterns when they were on sale at Joann's:
I'm going to make version B in that orange floral fabric (from Joann's); I really like full aprons best because I'm pretty messy! I wear aprons when washing dishes as well as when cooking--I tend to get water everywhere for some reason. While I was pressing Grandma's duster to snap pictures, I looked more closely at the different versions of this 1970s pattern and noticed that version D is remarkably similar to the duster.
Not long after I picked up this repro pattern, I happened to get the original vintage pattern, from 1979, as part of a lot I purchased on ebay:
I could probably fit into a size small apron, but I like aprons to have a bit of wiggle room--so this one is for sale on my etsy shop if you'd like it for yourself. It's uncut and still factory folded.
Seeing Grandma's duster again reminded me of how meticulous she was in her housekeeping and how she took the time to teach me everyday household tasks--the correct way to make the bed (something she strongly felt had to be done on a daily basis), how to fold linens, how to peel potatoes, and all sorts of various little things that she thought a girl ought to know. I suspect she also feared that my mother, her daughter, wouldn't teach me these things, due to my mom's great lack of interest in housekeeping, cooking, etc. My grandma was a farm wife for many years and she knew the "right" way to run a household. If you do it the right way, running a household can certainly be a full-time job.
Recently I cleaned out my stash of thrifted fabrics and realized I have two complete sets of cloth napkins that I haven't used at all, so I decided we could start using cloth napkins--better for the environment AND cheaper than paper napkins. I've even been ironing the cloth napkins before folding them and putting them away. I can't help but think that Grandma would be really proud of me for that. She had a spare bedroom in the farmhouse solely devoted to ironing. Monday was wash day and on Tuesdays, she ironed. I don't have a dedicated ironing day and I'm sure I never will, but when I press those napkins (sometimes while wearing an apron--how domestic is that!)I know I'm doing something that would make my grandma happy--and in turn, thinking of her makes me happy, too. She's been gone for just over twenty years, but I remember the useful things she taught me and enjoy using things that belonged to her every day.
This snap-front smock apron belonged to my Grandma Price and I recall her wearing it in the 70s and 80s. She always referred to it as her "duster." Anyone else ever heard an apron called that? I never gave it much thought when I was a kid. Now that I think about it, it seems rather charming and very Grandma-like. I think that she had someone make it for her; my grandmother didn't sew, but she would have a lady she knew sew things for her: she'd pick out the material and pattern and take them to Goldie's house for her to make. I can vaguely remember going to Goldie's house with my grandma.
Coincidentally, this morning I decided it was time to actually use one of the many, many patterns I've accumulated and felt the urge to make another apron. I recently picked up some of the retro/repro Simplicity patterns when they were on sale at Joann's:
I'm going to make version B in that orange floral fabric (from Joann's); I really like full aprons best because I'm pretty messy! I wear aprons when washing dishes as well as when cooking--I tend to get water everywhere for some reason. While I was pressing Grandma's duster to snap pictures, I looked more closely at the different versions of this 1970s pattern and noticed that version D is remarkably similar to the duster.
Not long after I picked up this repro pattern, I happened to get the original vintage pattern, from 1979, as part of a lot I purchased on ebay:
I could probably fit into a size small apron, but I like aprons to have a bit of wiggle room--so this one is for sale on my etsy shop if you'd like it for yourself. It's uncut and still factory folded.
Seeing Grandma's duster again reminded me of how meticulous she was in her housekeeping and how she took the time to teach me everyday household tasks--the correct way to make the bed (something she strongly felt had to be done on a daily basis), how to fold linens, how to peel potatoes, and all sorts of various little things that she thought a girl ought to know. I suspect she also feared that my mother, her daughter, wouldn't teach me these things, due to my mom's great lack of interest in housekeeping, cooking, etc. My grandma was a farm wife for many years and she knew the "right" way to run a household. If you do it the right way, running a household can certainly be a full-time job.
Recently I cleaned out my stash of thrifted fabrics and realized I have two complete sets of cloth napkins that I haven't used at all, so I decided we could start using cloth napkins--better for the environment AND cheaper than paper napkins. I've even been ironing the cloth napkins before folding them and putting them away. I can't help but think that Grandma would be really proud of me for that. She had a spare bedroom in the farmhouse solely devoted to ironing. Monday was wash day and on Tuesdays, she ironed. I don't have a dedicated ironing day and I'm sure I never will, but when I press those napkins (sometimes while wearing an apron--how domestic is that!)I know I'm doing something that would make my grandma happy--and in turn, thinking of her makes me happy, too. She's been gone for just over twenty years, but I remember the useful things she taught me and enjoy using things that belonged to her every day.
Friday, June 17, 2016
Beginning A Quilt: First Steps
It's been quite a while since I started a new quilt. Though I often buy yardage with the vague notion that it will be the inspiration for a quilt, I think that is really just an excuse for buying fabric! Recently, I bought some Cotton + Steel prints at Quilting Connection in Ames and realized that I still had some of my very favorite typewriter fabric from Melody Miller's Ruby Star Rising collection in my stash. I had a hunch that her new C + S prints would work perfectly with the older prints and guess what? I was right.
How very thoughtful of Miss Miller to coordinate her collections! I was also thrilled that she did those typewriters in black and white. Because as we all know, one can simply never have enough typewriter fabric.....
When I saw the bright magenta & metallic silver print I thought I would just use the pink typewriters with them; but the green and pink together in the letter print on the left would work with both the aqua and the pink typewriters. Serendipity.
I dug through my cubbies of fabric to unearth my cherished pink & aqua typewriters and delightedly piled them on my cutting table. I am very good at making piles of fabric. Not always so good at following through with the actual sewing! This morning I took the time to make a "starter" quilt block and a few notes so I wouldn't forget my ideas. Here's the block:
I tend to get tired of making the same block over and over, which is why many of my quilts are created with the improv-piecing method. Also, I think many modern fabrics are too gorgeous to be cut up into little tiny pieces. But these prints work well in blocks and this block is simple so they'll be quick to make. Once I start on a quilt, I do like to finish it sooner rather than later!
Putting the pink and aqua typewriters together on the cutting table brought back fond memories of one of the first quilts I made in 2013, and I don't think I ever got around to sharing it here before. It was also one of the first quilts that I sold, but I did have a couple pictures left of the top:
I was, and still am, proud of this one. Simple but sweet. Really helped me hone my quarter-inch seam allowance skills--very important in making a quilt! My quarter-inch piecing foot helps a lot with that too--but this quilt was made without one so it was more of a challenge for me as a newbie quilter.
I'll try to post the progress of this quilt as more blocks get made.
How very thoughtful of Miss Miller to coordinate her collections! I was also thrilled that she did those typewriters in black and white. Because as we all know, one can simply never have enough typewriter fabric.....
When I saw the bright magenta & metallic silver print I thought I would just use the pink typewriters with them; but the green and pink together in the letter print on the left would work with both the aqua and the pink typewriters. Serendipity.
I dug through my cubbies of fabric to unearth my cherished pink & aqua typewriters and delightedly piled them on my cutting table. I am very good at making piles of fabric. Not always so good at following through with the actual sewing! This morning I took the time to make a "starter" quilt block and a few notes so I wouldn't forget my ideas. Here's the block:
I tend to get tired of making the same block over and over, which is why many of my quilts are created with the improv-piecing method. Also, I think many modern fabrics are too gorgeous to be cut up into little tiny pieces. But these prints work well in blocks and this block is simple so they'll be quick to make. Once I start on a quilt, I do like to finish it sooner rather than later!
Putting the pink and aqua typewriters together on the cutting table brought back fond memories of one of the first quilts I made in 2013, and I don't think I ever got around to sharing it here before. It was also one of the first quilts that I sold, but I did have a couple pictures left of the top:
I was, and still am, proud of this one. Simple but sweet. Really helped me hone my quarter-inch seam allowance skills--very important in making a quilt! My quarter-inch piecing foot helps a lot with that too--but this quilt was made without one so it was more of a challenge for me as a newbie quilter.
I'll try to post the progress of this quilt as more blocks get made.
Sunday, June 12, 2016
Summer Styles from the 70s
Hello there! It's been a couple weeks; seems that the lure of the swimming pool on a hot sunny afternoon is more tempting than sitting inside....
...but I did take some time to sit down and sort through more vintage patterns (which ones to keep, which ones to sell) and found some stellar summer styles from the 1970s. Now, the 70s often get overlooked in terms of fashion, but I find that many of the patterns from the 70s offer very wearable style. Here are a few that I would totally love to make and wear:
First up, McCall's #5548 from 1977. I like all of the tops and dresses in this pattern, although version A is a bit too long for me in the humid Iowa summer: experience with long dresses in the summer proves that sweat running down my legs is not a feeling I enjoy. But the shorter sundress and the strappy tops? Perfection! This one is a keeper and I'm planning to try versions D and F.
Next, a couple of sweet Simplicity patterns from the early 70s:
Simplicity #9863, copyright 1972. I like all four versions, although I think I'm a little too old for a sailor dress, so I'd choose versions 1 and 2. Both are charming and look cool and comfortable for a hot summer evening. Sadly, this pattern is not my size--but maybe it's yours, and if you'd like to own it, you can find it in my etsy shop (uncut and factory folded!)
Next, this fantastic hoodie dress: Simplicity #9305, from 1971--although I don't think it looks dated one bit.
The shorter length would make a perfect cover-up for summer days at the pool. You could make up the longer version for the winter months. This pattern is also available in my etsy shop. I'm going to try to find a similar pattern in my size to make for myself!
Now, for those of you who have jobs where you can't wear yoga pants or swimsuit cover-ups, here is a good option for work, Butterick #3080:
I like the sleeveless top and skirt combo quite a bit; the cardigan option is nice if you work in a place with ice-cold air conditioning. I find skirts cooler and more comfortable when the weather is warm. Not sure exactly what year this pattern was published, but my guess is circa 1974.
For you sporty types, here's a cute look from McCall's:
Oh, the pantskirt. I've come across quite a few of these online and have several in my stash, and most of them look a bit silly by today's standards. But I think this one is cute and it's nice to preserve one's modesty--there's far too little of that these days.
Happy summer to you!
...but I did take some time to sit down and sort through more vintage patterns (which ones to keep, which ones to sell) and found some stellar summer styles from the 1970s. Now, the 70s often get overlooked in terms of fashion, but I find that many of the patterns from the 70s offer very wearable style. Here are a few that I would totally love to make and wear:
First up, McCall's #5548 from 1977. I like all of the tops and dresses in this pattern, although version A is a bit too long for me in the humid Iowa summer: experience with long dresses in the summer proves that sweat running down my legs is not a feeling I enjoy. But the shorter sundress and the strappy tops? Perfection! This one is a keeper and I'm planning to try versions D and F.
Next, a couple of sweet Simplicity patterns from the early 70s:
Next, this fantastic hoodie dress: Simplicity #9305, from 1971--although I don't think it looks dated one bit.
The shorter length would make a perfect cover-up for summer days at the pool. You could make up the longer version for the winter months. This pattern is also available in my etsy shop. I'm going to try to find a similar pattern in my size to make for myself!
Now, for those of you who have jobs where you can't wear yoga pants or swimsuit cover-ups, here is a good option for work, Butterick #3080:
I like the sleeveless top and skirt combo quite a bit; the cardigan option is nice if you work in a place with ice-cold air conditioning. I find skirts cooler and more comfortable when the weather is warm. Not sure exactly what year this pattern was published, but my guess is circa 1974.
For you sporty types, here's a cute look from McCall's:
Oh, the pantskirt. I've come across quite a few of these online and have several in my stash, and most of them look a bit silly by today's standards. But I think this one is cute and it's nice to preserve one's modesty--there's far too little of that these days.
Happy summer to you!
Tuesday, May 24, 2016
Fifties Favorites: Mid-Century Movie Star Style
I've scored some pretty sweet patterns in the last month and wanted to share some of my favorites. I've always adored 50s fashions, being a big fan of full skirts. They're comfortable and flattering; they just make you feel pretty, don't you think? (Disclaimer: lest you get the impression that I spend my days wearing skirts, I admit that most of the time I wear old jeans or yoga pants when I'm working at home. However, sometimes I work at school and so I will use that as an opportunity to wear a skirt. The other day I actually had on a dress (a Gap dress found at Goodwill for $5) and my son asked, "Why are you dressed like that?" But I digress. On to the patterns!)
This 1955 McCall's pattern showcases both the full skirt as well as the slim or pencil skirt look that we associate with the fifties; two fabulous looks in one pattern!
This pattern envelope reminds me of Audrey Hepburn in Roman Holiday. That wonderful film was released in 1953 and surely had some influence on fashions in the years that followed.
Here's a pencil skirt again, this time paired with a cardigan for another classic look, in Butterick 7900:
No copyright dates on the Buttericks, but a couple of sources put this pattern as "circa 1956" which looks about right to me.
Classic style! This cardigan and skirt look never goes out of style, now does it? At least not in my book! But of course I have long since stopped caring about current trends (many of them are ridiculous-looking anyway) in favor of what is comfortable and flattering for me. Also, notice the lady on the left of the envelope here: I think she looks a lot like Lauren Bacall.
And speaking of movie stars, next up is McCall's # 3242, published in 1955.
When I first saw this, I immediately thought of Katharine Hepburn. This jacket, especially the plaid version, looks like something Kate would have worn. With slacks, of course. So very practical and sensible--exactly her style. I also love that this one has a stamp from Younkers department store. Those of you in the Des Moines area know Younkers. I remember my mom taking me to the flagship downtown store for the first time when I was a little girl; I was impressed with a store that had more than one level and enjoyed riding the "electric stairs." Sadly, the building burned two years ago and I still feel a bit sad whenever I see that corner of Walnut Street. It was such an iconic part of downtown Des Moines.
Next, McCall's 3902, copyright 1956.
Doesn't it make you think of the slumber-party scene from Grease? Look at the kitten-heel slippers the gals are wearing. Who wears heels with a bathrobe? Love it!
This 1955 McCall's pattern showcases both the full skirt as well as the slim or pencil skirt look that we associate with the fifties; two fabulous looks in one pattern!
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| McCall's #3460, copyright 1955 |
Here's a pencil skirt again, this time paired with a cardigan for another classic look, in Butterick 7900:
No copyright dates on the Buttericks, but a couple of sources put this pattern as "circa 1956" which looks about right to me.
Classic style! This cardigan and skirt look never goes out of style, now does it? At least not in my book! But of course I have long since stopped caring about current trends (many of them are ridiculous-looking anyway) in favor of what is comfortable and flattering for me. Also, notice the lady on the left of the envelope here: I think she looks a lot like Lauren Bacall.
And speaking of movie stars, next up is McCall's # 3242, published in 1955.
When I first saw this, I immediately thought of Katharine Hepburn. This jacket, especially the plaid version, looks like something Kate would have worn. With slacks, of course. So very practical and sensible--exactly her style. I also love that this one has a stamp from Younkers department store. Those of you in the Des Moines area know Younkers. I remember my mom taking me to the flagship downtown store for the first time when I was a little girl; I was impressed with a store that had more than one level and enjoyed riding the "electric stairs." Sadly, the building burned two years ago and I still feel a bit sad whenever I see that corner of Walnut Street. It was such an iconic part of downtown Des Moines.
Next, McCall's 3902, copyright 1956.
Doesn't it make you think of the slumber-party scene from Grease? Look at the kitten-heel slippers the gals are wearing. Who wears heels with a bathrobe? Love it!
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